Yet “Grown Ups” has found a canny way around that hurdle. The man-child roles these actors have played for so long are, of course, a little unbecoming now since the performers are well into their 40s (at 46, Sandler is the youngest of the lot). At $42.5 million, its numbers put it on track for another $100-million-plus total while marking the second-highest opening in Sandler’s career, not adjusting for inflation.īut there’s also something more complex going on. And this weekend proved the brand still had plenty in the tank - the film easily beat out the far more hyped (and expensive) “Pacific Rim” among new openers. At $162 million in total box office receipts, the first film was, amazingly, the second-highest-grossing movie of Sandler’s entire career. Yet there’s been a shining exception in this crop of duds: the “Grown Ups” franchise. “That’s My Boy,” Sandler’s big foray into R-rated comedy last summer, was one of the biggest bombs of his two decades as a film actor, tallying just $36 million. The porn-comedy “Bucky Larson,” his attempt at producing-only that same year, was a critical and commercial disaster, notching just $2.5 million and a resounding 0% score on Rotten Tomatoes. His would-be “Tootsie” moment in “Jack and Jill” in the fall of 2011 elicited middling commercial results. The one-time king of comedy - between 20 he had at least one $100-million grosser every year - has struck out a lot more than he’s made contact. Adam Sandler hasn’t had an easy time at the box office these last couple of years.
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